Sound examples with unequal temperaments
The examples below are in WMA compressed format, playable from Windows Media Player, yielding-—for the same file size—much better quality than MP3. You can hear them by clicking on the links, or else you can download them to your PC's hard disk by right-clicking and selecting "Save link as".
- Ex.1.02 for Section 1.2, Fig.1.2 - Beats between pure sounds of nearly identical frequency.
- Ex.1.04 for Sections 1.4 and 1.5 - Pure intervals with superparticular ratios.
- Ex.1.04V for Sections 1.4 and 1.5 - same, transposed a fifth upwards.
- Ex.1.06 for Section 1.6, after Law 3 - Tempering a fifth.
- Ex.1.07 for Section 1.7 - Pure intervals with non-superparticular ratios.
- Ex.1.07V for Section 1.7 - same, transposed a fifth upwards.
- Ex.1.08 for Section 1.8, Fig. 1.8 - Minor Third-Major Sixth octave test.
- Ex.1.09 for Section 1.9 - Minor and major pure triads played on an open diapason organ stop.
- Ex.1.09H for Section 1.9 - same on a lower 8' harpsichord stop.
- Ex.1.10 for Section 1.10 - Ornamental beats in a minor triad with pure fifth.
- Ex.2.02 for Section 2.2 - Fifth: pure and Pythagorean Wolf.
- Ex.3.04.1 for Sections 3.4 and 3.6 - Fifth: pure and Equal Temperament.
- Ex.3.04.2 for Sections 3.4 and 3.6 - Major Third: pure and Equal Temperament.
- Ex.3.04.3 for Sections 3.4 and 3.6 - Minor Third: pure and Equal Temperament.
- Ex.3.05.1 for Sections 3.5 and 3.6 - Major Triad: pure and Equal Temperament.
- Ex.3.05.2 for Sections 3.5 and 3.6 - Minor Triad: pure and Equal Temperament.
- Ex.3.08 for Section 3.8 - Major Third: pure and Pythagorean.
- Ex.5.31 for Section 5.3, Fig. 5.3.2 - The Bb major scale in thirds in Standard Meantone.
- Ex.5.40 for Section 5.4 - Enharmonic Flats and sharps in Standard Meantone.
- Ex.8.02 for Sections 8.2 and 21.2 - F.Couperin's Early French temperament: two examples from the Messe pour les Paroisses.
- Ex.9.03 for Section 9.3 - Fifths: pure, equally-tempered and Werckmeister III.
- Ex.9.11 for Section 9.11 - Sabbatini's octave-third split: Equal Temperament and Almost-Equal Temperament.
- Ex.11.03 for Section 11.3 - Gothic cadence from Adam de la Halle.
- Ex.11.05.1 for Section 11.3 - A fragment from Philip's Galiarda Dolorosa, in Pythagorean Intonation.
- Ex.11.05.2 for Section 11.3 - The same fragment in Standard 1/4 S.c. Meantone Temperament.
- Ex.12.03 for Section 12.3, Fig. 12.3.2 - Hearing the slowest beats.
- Ex.12.08 for Section 12.8, Fig 12.8 - Comparison of beat rates.